
Karl Puschmann: My favourite films of 2024
REVIEW: From Dune to Deadpool & Wolverine, what made the cut for the best of the year?
REVIEW: From Dune to Deadpool & Wolverine, what made the cut for the best of the year?
NY Times: Director Michael Gracey hopes people will finally get the British hitmaker.
An original character made a surprise return, but who didn't make it out alive?
New York Times: Gripping new thriller looks at a woman whose life is upended by a novel.
'We should simply all get together and say we love each other.'
Telegraph: Who are the new ‘It Boys’ – and why can’t anyone else get lucky?
These are the television shows you need to be watching next year.
Auckland Choral's 'Messiah' unites with powerful arias and rousing choruses.
Telegraph: Intimacy co-ordinators make sure the nitty-gritty is believable.
Set three years after the first film, Moana is now a leader and master navigator.
William Dart reviews Auckland Philharmonia's showcase of Tchaikovsky’s wizardry,
New York Times: Sobbing in the movie theatre? You’re not alone.
REVIEW: The affection between the good and green witches of Oz has been magnified tenfold.
'I feel very blessed to be amongst you and to be in Auckland.'
Telegraph: Entering his 50s, Leonardo DiCaprio now faces an awkward middle-aged reality.
Karl Puschmann thanks the gods for the film's wild historical inaccuracies.
Horgan’s critically acclaimed Bad Sisters continues with new challenges for the Garveys.
REVIEW: Camping by Chris Parker and Tom Sainsbury was a hit when it premiered in 2016
The contemporary Western drama begins its end on Monday.
Is it a Ridley Scott flop, or has the director delivered?
Verdi’s overture to La Forza del Destino was a stirring launch under Jose Luis Gomez.
OPINION: Shiyeon Sung proved her enviable versatility as she triumphed.
Telegraph: An intimate look into the Superman actor’s post-accident life.
New York Times: Gripping new thriller looks at a woman whose life is upended by a novel.
The latest work from the Auckland Theatre Company takes audiences to Neverland.
The new show 'is an examination of privilege and how money talks'.
'The underdogs have taken over, baby!'
More than 100 people, including dozens of children, have now spoken out to say they were victims of rape, sexual assault and sexual exploitation at the hands of US rapper 'Diddy'.
'I was sexually assaulted and I liked it', the hitmaker said.
The Triumphal March and Temple Scene from Verdi’s Aida made a suitably grand launch.