But unlike, the Floyd's final effort, 2014's The Endless River, which purposefully recreated and embraced the band's signature sound, here Waters isn't particularly in debt to any one album. It's more the vibe.
Floyd fans will settle in quickly, although the album does miss the respite offered by guitarist Dave Gilmour and his deft, light fretwork, which would traditionally pierce through the darkness, pull you out of the quagmire and send your mind floating off into space.
On Part of Me Died, a comment on the glaze of TV, he sings, 'Sat in the corner watching TV, deaf to the cries of children in pain'; Bird of Gale references an awful, recent refugee tragedy "the boy is drowning in the sea"; and on Deja Vu he aims higher, claiming 'If I had been God ... I believe I could have done a better job'.
Bleak as all this is, I tend to agree with him. Waters' pain and turmoil caused by feeling empathy towards innocents, matched with his own personal loss and the vitriol for those looking to harm others, all suggest he'd have curated a much nicer world. But that's not how it works.
Much as he'd like to, Waters can't mould the world in his own image. All he can do is implore us to "wake up", bring to our attention the many ills happening right now and ask us, is this what we really want?
Artist: Roger Waters
Album: Is This the Life We Really Want?
Label: Columbia
Verdict: A heavy trip, with plenty of Floydian touches.