But Josephine Wright, a professor of music and black studies at the College of Wooster in Ohio, has slammed the insensitivity of sports fans as "unfortunate".
"Such cross-cultural appropriations of US slave songs betray a total lack of understanding of the historical context in which those songs were created by the American slave," she told the New York Times.
Wooster's sports teams are known as the Fighting Scots.
Music history professor Arthur Jones said he was saddened that the meaning of the song is lost, when crowds chant it at sporting events.
"I feel like the story of American chattel slavery and this incredible cultural tradition, built up within a community of people who victims and often seen as incapable of standing up for themselves, is such a powerful story that I want the whole world to know about it.
"But apparently not everyone does."
In 1993, The Independent speculated that the song was "a backhanded compliment" used whenever a black athlete was playing well.
One reader apparently described it as "slightly racist, but in the best possible taste".
Obviously, not everyone agrees with that assessment.
Another story suggests that pupils at Douai School in Woolhampton, England, sang the song as part of a try celebration and the tradition caught on from there.