Annoyed that New Zealand on Air carelessly emailed around the Government's plans for censorship and propaganda, Prime Minister John Key has made Broadcasting Minister Craig Foss sack the funding body's board and replace it with singer Paul Holmes, drama school dropout Paul Henry, theatrical makeup artist Michael Laws and kickboxer
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Song and dance - Craig Foss and John Key. Photo / Supplied
"But I'll keep the HRC website running so nobody notices they're gone," he continued. "New Zealand won't slip down the media freedom ranks again; in future, we will have even tighter control, but the Command Centre will be hidden away in the backroom behind the Speaker's chair."
Holmes is said to be upset that the angry backlash he deliberately provoked in recent rants hasn't voted him off the island and landed him a cushy number in Australia like it did for the other Paul. "But I'm proud to live in a country where people believe that a journalist like myself, with 105 years' experience, can still be ignorant enough to genuinely mean what I wrote," he said.
NZ on Air guidelines have not changed - the "platinum" fund still means "platinum" number of show sales overseas, with none of the revenue going back to the taxpayer. But since the new board was announced, several production houses have stopped developing heartwarming comedies about the lives of privatised prison CEOs, drama ideas about how MFAT is more efficiently run with robots and documentaries about the tourism potential of the Rena disaster.
Instead, new ideas include a behind-the-scenes doco about the making of the Tui beer-girl ads, a comedy hour called If It's Not Racist, It's Not Funny, and an investigation into whether "the letter 'h' is evil".
"No prizes for guessing the answer is 'yes', with Laws of Wanganui in the green-light seat," said the director of Bluedown Productions. "We'll keep giving the funders what they want. You may call it self-censorship, we call it pragmatic. No point in developing ideas we know won't get through."
Another producer was pleased that state- and private-sector funding briefs were converging so fast. "Choice is bad for the public."