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Home / Lifestyle

Redefining menopause: How media are reshaping midlife narratives – Michelle Kasey

By Michelle Kasey
NZ Herald·
3 Feb, 2025 02:00 AM6 mins to read

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Demi Moore in The Substance, a film that challenges the notion that women get to hold on to their sexuality only if they manage to preserve their youth.

Demi Moore in The Substance, a film that challenges the notion that women get to hold on to their sexuality only if they manage to preserve their youth.

Opinion by Michelle Kasey
Michelle Kasey is an award-winning NZ-based sex and relationships therapist, burlesque artist and teacher, champion pole dancer and writer.

THREE KEY FACTS:

  • Perimenopause is becoming a common theme in TV shows, films and books, reflecting a cultural shift.
  • Women are redefining menopause, challenging stereotypes and portraying it as an exciting new chapter.
  • Older women are increasingly represented in media, embracing their sensuality and challenging beauty standards.

Perimenopause has started to emerge as a theme in the TV shows, films and books I’m consuming. Has it always been there, hidden by its irrelevance to a younger me? In my teens and 20s, menopause never felt like something that would reach me. It was a distant abstraction. I knew it was a part of womanhood; I’d seen Mum fanning herself through hot flushes and Dad attributing her emotions to “menopause”.

My 30th birthday was the first time I felt slapped in the face by mortality. In the days leading up to it, I was confident I’d breeze through this milestone free from fear, insecurity or disempowering narratives. I had transcended the shackles of being “past my prime”. I was “thirty, flirty and thriving”!

But only a few weeks into my 30s, I found myself in the throes of a quarter-life crisis – questioning my relationship and panicking about the infuriating lack of clarity I felt about whether to breed, while the ticking of my biological clock grew louder. All of a sudden, life didn’t feel infinite any more. Time felt scarce and my sense of feminine value and desirability seemed inseparably tied to my age.

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Living with pleasure is the essence of ageless beauty, says  Michelle Kasey.
Living with pleasure is the essence of ageless beauty, says Michelle Kasey.

Now, at 33, I’m not yet experiencing menopause or perimenopause. I can’t write to you from the wisdom of personal experience. Instead, I am a humble student, finding myself increasingly curious about life and sexuality in midlife and beyond.

It’s clear the cultural conversation is changing. I’m deeply grateful to the women ahead of me who are redefining menopause. Rebelling against the ideas that menopause is a dry, desireless and hysterical time. They’re creating narratives that make the future feel less like a loss and more like a new, exciting – even sexy – chapter.

The changing culture is evident in books, film, and television. Shows like Grace and Frankie that explore the complexities of later-life intimacy and sexual liberation, and Emily in Paris, which presents Sylvie Grateau [played by 61-year-old Philippine Leroy-Beaulieu] living her sexual life with unapologetic sovereignty and confidence. These are two examples of many portrayals that are chipping away at the societal narrative that women “expire” after a certain age, helping to normalise the idea that women, regardless of their stage in life, continue to have complex, meaningful relationships with their bodies and desires.

Philippine Leroy-Beaulieu, star of Emily in Paris, has become an icon of unapologetic midlife confidence. Photo / Supplied
Philippine Leroy-Beaulieu, star of Emily in Paris, has become an icon of unapologetic midlife confidence. Photo / Supplied

We’ve come a long way in the past decade. In Sex and the City 2 – a 2010 film that is far from a cinematic masterpiece (unless you’re a die-hard SATC fan like me) – Samantha Jones refuses to let menopause define her or diminish her sexuality. She confronts changing hormone levels with determination and suitcases full of creams and supplements. While her journey celebrates agency and control, it left me with a lingering fear: do we get to hold on to our sexuality only if we manage to preserve our youth? Sounds expensive.

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This idea was challenged in Coralie Fargeat’s 2024 shockingly relatable horror film The Substance. Demi Moore plays a fading celebrity dismissed from her TV show because of her age and waning sexual appeal. She takes desperate measures to reclaim her youth and supposed power, compelling us to ponder: is striving for unattainable beauty standards a form of self-destruction?

Demi Moore in The Substance. Photo / Youtube, @MUBI
Demi Moore in The Substance. Photo / Youtube, @MUBI

However, beauty standards, too, are evolving. Older women are increasingly represented in fashion, beauty and lingerie campaigns, proudly expressing their sensuality. Pamela Anderson’s transition from the heavily glamorised and objectified image of the 90s to embracing her natural appearance – even on the red carpet – pushed this envelope even further. Her choice reflects a growing cultural shift, challenging the notion that youth is a prerequisite for visibility, beauty and desirability.

Pamela Anderson’s natural red-carpet looks in recent years challenge outdated beauty norms. Photo / AFP
Pamela Anderson’s natural red-carpet looks in recent years challenge outdated beauty norms. Photo / AFP

In All Fours – one of the most compelling books I read in 2024 – the author Miranda July challenges stereotypes about women’s sexuality in mid and later life with a bravery and nuance I hadn’t known I was searching for. I highlighted dozens of sections of this book. One passage, in particular, was a revelation:

“As someone treated a certain way their entire adult life because they were voluptuous and pretty, it became a joy to be unseen. But it was a bit of a journey, letting go, and boy how I wish I could tell other women struggling with the fade of their bloom how great life is once you let go of that flower.”

Having been taught that women’s value lies in the male gaze, I was surprised by how exquisitely liberating it felt to imagine being unseen.

Menopause has been a recurring theme in Miranda July’s celebrated book, All Fours.
Menopause has been a recurring theme in Miranda July’s celebrated book, All Fours.

As a sex and relationships therapist, I regularly invite my clients and community to practise separating body image from their self-worth and sexual fulfilment. A key to this separation is embracing pleasure. Pleasure doesn’t care how your body looks. It doesn’t care about your age. It doesn’t even cost a cent. It’s a way to connect with sensuality and eroticism by simply tuning into one or more of the five senses and delighting in them. Pleasure lights us up from the inside out, and to me, living with pleasure is the essence of ageless beauty.

The complexities of ageing in a woman’s body in this world will continue to fascinate and challenge me. When menopause first started appearing in TV shows, films, books and conversations with friends, I would feel a visceral sense of dread and fear for my future. But, thanks to the sexy menopausal women around the world who are writing their own narratives and reshaping dominant culture, I now feel genuinely excited about my midlife and golden years.

I’m learning that ageing involves accepting change and grieving loss, but new gifts, opportunities and superpowers emerge, if you know how to look for them.

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Michelle Kasey is an award-winning NZ-based sex and relationships therapist who helps clients worldwide to have healthier relationships and more satisfying sex lives. She is also a celebrated burlesque artist and teacher, champion pole dancer and writer.

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