Shane Urton is Sancho Panza in the lead cast, and he too produces a strong character, likeable and well rounded, from gawky, nerdish beginnings.
Gary Harris's staging and design is neon bright and beautifully evocative, with a magically moonlit gypsy camp and starry skies in the second act. The APO gives Ludwig Minkus' score a resounding reading.
And then there is the dancing! This Don Q is a love story at heart, and the svelte and quicksilver Kohei Iwamoto, as Basilio, and a dynamic and wonderfully flirtatious Mayu Tanigaito, as Kitri, present a partnership of lovely lightness and lyrical lift. They fly through the technical challenges of their roles with passion and precision and culminate their performance with a breathtaking wedding pas de deux in act three.
Abigail Boyle is a gorgeously sultry Mercedes, as elegant as she is lascivious, and brings a brilliant expressiveness to the role, proving a dramatic talent to match her flawless dancing.
Paul Mathews is another show stopper as the bling-bedecked lowlife Gamache, louche, lithe and a master of both drunk dancing and audience favourite, the clever and very funny little dog.
Harry Skinner is a buzzy, bossy Lorenzo, with a bristling black moustache. Clytie Campbell is a classically classy Queen Driad. MacLean Hopper jauntily embodies Cupid, a character that above all epitomises Harris's zany, zealous and not-quite-camp style.
They all lead out a sterling cast of jaunty sailors, long legged waiters, a band of rude and raunchy Gypsies, a bevy of beautiful Bridesmaids and Friends and a beautifully presented corps of Driads who perfectly held their tableaux and artful arms aloft for a very long time. Splendid!