Beth Kayes is a compelling performer and her one-woman show, Once There Was A Woman, is a tribute narrative from a daughter to a mother. Originally developed for a four-strong cast, the Masters of Performance student from the University of Auckland was given the opportunity to make the work into
Fringe review: Once there was a woman
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Beth Kayes in Once There Was a Woman.
The work is a finely wrought but, occasionally, still carries the hallmarks of a carefully constructed theatrical performance that just shies away from genuinely exposing some of the most vulnerable and brittle aspects of the relationship between mother and daughter.
Multiple threads also hinder a more comprehensive unpacking of the tragedy of watching a once powerfully articulate human slowly morph before her children's eyes but the beginnings of this excavation are certainly present.
This is not just a touching coming-of-age story for the character of the daughter nor is it simply a final hurrah for the mother.
It has the real potential to make the audience genuinely care about our elderly and the palliative care they receive right here in Aotearoa. A tender and eloquent work that has been meticulously crafted, Once There Was A Woman, has much to offer its audiences.
What: Once There Was A Woman by Co Theatre Physical
Where and when: Q Theatre, Until Friday