"They made sure there was art space because they realised, as I do, that art really humanises a building and allows people a stake in part of their environment," she says.
"Since the building opened this year, we've found people taking ownership of the art works and when we've had to loan them or take them away for exhibitions - the Robin White, for example, went to the United Nations in New York this year - there was a huge outcry because it had disappeared for a short time.
"That's one of the really rewarding aspects of putting art works into buildings used by staff because they begin to look after them and see them as their own."
As much as possible, the art - everything from photographs by Lisa Reihana to giant painted barkcloth by Robin White and Ruha Fifita - relates to science.
Tyler says White and Fafita's triptych Sui i moana is a prime example, linked to a project by the Pew Research Group to look at the proposed Kermadec Ocean Sanctuary.
Fiona Pardington's photo of extinct huia birds, in the building's foyer, has sparked interest from overseas visitors keen to know more about her work photographing museum collections.
"It [the art] brings people from a science background in and provides a greater awareness and appreciation of what artists are doing and how artists, too, are interested in science."
• Starting on Monday, law firm Chapman Tripp, the ANZ and BNZ banks, the Wallace Arts Trust, Spark, and the university offer free behind-the-scenes tours of their art collections which must be booked. heartofthecity.co.nz/artweek for bookings.