One of the great humanistic statements of its century, its plea for peace and tolerance is even more potent today, in a world plagued by violence and genocide.
With inspired singing from Voices New Zealand Chamber Choir and the New Zealand Youth Choir, Stier presented Tippett's testament of hope.
The young choristers were admirably lithe in flying contrapuntal flurries, and richly expressive in the punctuating spirituals. One felt the intended anger of Go Down, Moses, even through an exquisite pianissimo.
The orchestra clearly enjoyed the combat of gnarly textures, some with those rhythms Aaron Copland playfully claimed as American. Details entranced, too, as when two intertwining flutes introduced the Interludum.
A quartet of fine soloists was dominated by charismatic soprano Indra Thomas and tenor Nicky Spence. Thomas was a force of nature, holding her score out of sight for one thrilling phrase and adding the glow of exhilaration to spirituals.
Spence similarly engaged us, poignantly relating the frustration of being between hammer and anvil over subtle Latin-tinged rhythms.
Victoria Simmonds' sense of style ensured phrasing of distinction in lines that did not always escape the orchestral surround.
Derek Welton brought a relaxed gravitas as the Narrator but was slightly wanting in dramatic focus towards the end.
These are minor quibbles, however, and if you missed this inspirational concert live, do tune in to Radio New Zealand Concert tonight to hear it.
What: A Child of Our Time
Where and when: Auckland Town Hall, Saturday
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