Chantelle Gerrard's medieval costuming is admirably detailed and satisfying. Rich brocaded velvet and cherry-and pumpkin-coloured leather armour stand out among duller tones: it's like earth and midnight sky punctuated with silver stars. Flashy white-gold satin coronation robes neatly show up the Macbeths as parvenus.
Head-shaven and bearded, Stephen Lovatt is a good, swaggering Macbeth and Amanda Billing does well as his rather domesticated Lady: at one point, they create a deliciously awkward mad killers tea party. Matu Ngaropo, Amelia Reynolds and Julia Guthrey shine brightly in their small parts as Macduff and his family, helping the "action movie" second half perk up.
But most of the acting is merely competent. The number of overseas actors the Pop-Up Globe imports is controversial; judging by Macbeth, the internationals are not filling any local skills gap.
We see some symbolism (Lady Macbeth washes battle blood off her husband's face) but the show favours verisimilitude over stylisation. Lacks a wee pinch of salt.
What: Macbeth
Where & when: Pop-up Globe, Ellerslie Racecourse; until March 30
Reviewer: Janet McAllister