Latest fromVolume
Austra: Beat and the pulse
While their debut record Feel It Break is a minor key affair, the siren voice of frontwoman Katie Stelmanis is pretty near mythical.
Twin Shadow: Past echoes
As Twin Shadow, George Lewis Jr’s music may conjure up the spectre of fey ’80s pop and lovelorn ’50s crooning alike, but its preoccupations with memory and experience are more interesting still.
Sound of the Overground: Here's hoping Ladyhawke storms the charts
Each week Duncan Greive performs some low grade analysis on the week’s New Zealand Singles Chart and reviews a few new release pop singles.
Feist: Past in present
Growing tomatoes and learning how to make apple cider – Feist has been enjoying the fruits of a well-earned break. Now back with new album Metals, the elusive songstress talks to VOLUME about getting back together with her guitar.
History made: D'Angelo, Brixton Academy
Mark de Clive-Lowe witnessed D'Angelo play London's Brixton Academy on Wednesday 19 July 2000.
Das Racist: All tan everything
A breed of surrealist MCs like Kool Keith and Lil B have been known to say some pretty out-there things. But the most Dadaistic rappers of the lot may well be Heems, Kool A.D. and Dap of New York City’s Das Racist.
History made: Big Day Out 1994
Matt Heath was in the first band on stage at the first ever Big Day Out in Auckland. The band was called Kid Eternity.
Sound of the Overground: PNC is ready to soar
Each week Duncan Greive performs some low grade analysis on the week’s New Zealand Singles Chart and reviews a few new release pop singles. To submit or suggest a track for review email singles@volumemagazine.co.nz or tweet @duncangreive
Fleet Foxes, Auckland Town Hall
Photos of Fleet Foxes at the Auckland Town Hall. Saturday, 14 January 2012.
Beirut, Wellington Opera House
Photos of Beirut at the Wellington Opera House. Monday, January 16 2012.
Talking Heads: Ruban Nielson and Henrietta Harris
The distinctive illustrations of Ruban Nielson and Henrietta Harris have appeared on album covers, tour posters and T-shirts and, in Nielson's case, the artwork itself has framed the songs that followed.