
Dance review: A Christmas Carol, Royal NZ Ballet
Northern Ballet's noted production of Charles Dickens' famous tale of curmudgeonly greed, grim reflection and a joyous redemption in Act III has all the charm of a very traditional Christmas card.
Northern Ballet's noted production of Charles Dickens' famous tale of curmudgeonly greed, grim reflection and a joyous redemption in Act III has all the charm of a very traditional Christmas card.
Rushes from the multi-million-dollar Kiwi feelgood flick Born to Dance have been sent to the American film market this week to whet the appetite of would-be-buyers.
Sydney Dance Company's seminal and celebrated work begins with a simple representation of its title. A couple sit to one side (2), a solitary figure stands to the other (One) and the rest of the company (the Others) take centre stage.
Two richly developed productions from the closing weekend of Tempo 2014 leave memorable images behind them.
There is no complacent sitting back comfortably to watch Alexa Wilson's explosive and challenging choreography The Status of Being, made on the company's very new quintet of five impressive young dancers.
Theirs is an unlikely story: a bunch of senior citizens from Waiheke — ranging in age from 65 to 95 — who formed a hip-hop dance crew then went to the world champs in Vegas. They talk to Alan Perrott about moonwalking, twerking and feeling alive again.
More than 500 dancers descended on Auckland's North Shore for the inaugural DanceBrandz Nationals competition yesterday.
Thousands of Kiwis will witness the dazzling performers in Cirque du Soleil's Totem in its five-week Auckland season.
The opening work in this most mesmerising of programmes begins with a filmed section projected on to a large wooden cube which contains and catapults the dancers into action.
Okareka Dance Company has hit the jackpot with this exploration of the strength, the spirit, the wiles and the primal beauty of women, specifically Maori women.
Some television shows spoil their chances for love by talking too much, filling every possible space with words, pre-empting everything anyone says, writes Colin Hogg.
There is absolutely no doubt that the artists of American dance theatre company Pilobulus are supreme masters of the ancient art of shadow play.
As a professional bedroom dancer, Sophie Barclay decided to head to the hall and road test a few moves that weren't quite club-ready.
Dozens of dancers, music and a couple of young lovers - the ballet's come to town.