While late in the play we learn Matshe's character's name is Ingwé (my apologies for the Anglicisation spelling of the name), he is referred to as Steady by Todd.
The fact the name Todd uses is not his African name is used as the tension between the two builds during the play, serving as a poignant reminder that Todd himself may have been a liberal but he was also still a colonial and did have colonial attitudes to certain things. This point is also well demonstrated as the two argue about religion, with Ingwé adamant that it is the ancestors, not Todd's Jesus, who intercedes with God on behalf of people.
The talent of the two actors on stage is well matched by the backstage team, who have worked hard to create a flawless piece of theatre that fully takes you to a particular moment in time.
Rachael Walker's set is perfectly done, showing the colonial style furniture and other accoutrements inside against a backdrop of African bushland seen outside the windows. The red dust of the view outside is reflected inside too, with warm lighting at the start, creating a feeling of sunset, but also perhaps ominously hinting at the bloodshed happening just outside.
As the drama progresses, the lighting becomes more and more shadowy and builds the suspense and drama of the storyline perfectly.
The sound design is also flawless, from the murmur of a radio to the terrifying gunfire heard outside, along with other sounds of war and conflict.
The story of Sir Garfield Todd might not be overly well known, but with the skilful writing of Makuwe, combined with the talent and authenticity on stage of Rhodes and Matshe, it is a story that will stay with you long after the play ends.
Black Lover by Stanley Makuwe is playing at the TSB Showplace Theatre tonight as part of Reset 2020. Tickets are available online: www.reset2020.co.nz