Slotted on Queens Wharf between the historically listed Ferry Buildings and the equally ancient and restored Shed Ten cruise ship passenger terminal, The Cloud is a classic example of Auckland planning ad hocery. To add to the unplanned confusion, later this year we're promised a $1 million piece of interactive sculpture by Michael Parekowhai, to be erected on the harbour end of the wharf. What a design mish-mash Queens Wharf risks becoming.
Let's not forget, it's a structure which the Historic Places Trust belatedly elevated to its highest level of protection - Category One - during the the pre-rugby cup argie bargie over which sheds should be knocked over. Category One is for places of "special or outstanding historical or cultural heritage significance or value". Rushing in after an initial decision was made to bowl both the remaining wharf sheds, the trust declared "recent research has highlighted the heritage significance of Queens Wharf's two historic cargo sheds ... the only survivors of a waterfront development dating back to the early 20th century which brought cutting edge technology to the ... port operation". They are "the last remaining structures associated with that huge machinery of export and ... as important as the iconic Ferry Building".
In the end, a compromise of sorts was arrived at. Shed Ten would remain and be restored and adapted for a new use, while Shed Eleven would be removed and stored off site, to make way for the minister's temporary plastic structure.
With Mr Joyce's officials now lurking around the waterfront, kicking tyres until the future needs of an Auckland-centre cup defence become clearer, could I suggest they roll up their sleeves and fill their time, deconstructing Mr McCully's relic.
And if they still have time on their hands after that, they could unearth the carefully preserved remains of the deconstructed Shed Eleven and reinstate it, further up the wharf than it originally sat, alongside the already restored Shed Ten.
That would leave a large open space on the harbour's edge for the Parekowhai art work.
Exactly what role Queens Wharf will play in an America's Cup campaign is anyone's guess. But situated opposite the Britomart transport hub, it would make a convenient, bottom of the town ,"party central". With big screens and a viewing platform to watch yachts heading in and out of their Wynyard Quarter bases to do battle, it's just the sort of use envisaged when it was liberated from the port company for public use. Creating a party central within two 100-year-old sheds, to watch a 160-year-old yacht race seems particularly appropriate.
If it means The Cloud has to go, then so much the better.