But Bae had other ideas and convincingly demonstrated there is more to French piano music than Clair de lune and Le petit nègre with a Gymnopédie thrown in for good measure. (Mind you I wouldn't be surprised if the woke community has banned Le petit nègre, or at least renamed it La petite personne de couleur or similar.)
The first half of the match was devoted to three works by the impressionist Ravel, beginning with his famous Pavane pour une infante défunte and followed by his Sonatine and Le Tombeau de Couperin. From the first bar the artist had his audience mesmerised.
We were taken on a journey that ranged from the exhilarating to the sublime and back again. After half-time Gabriel Fauré's Ballade was followed by one of my favourite French composers, Francis Poulenc. While I hadn't before heard Les soirées de Nazelles, this suite of short pieces had Poulenc's stamp all over them. He is, simply, le maître de quirk, whose work always leaves a smile on one's face.
This was a stand-out recital, worthy of a larger audience. I will be keeping an eye on Jason Bae's career - he has that je ne sais quoi that makes you want to come back for more.
So merci beaucoup, Alliance Française, pour une bonne soirée et pour le travail que vous faites dans la communauté.