Works larger than 1 metre demanded more effort from the team thanks to their elaborate composition or sheer mass.
One of the last pieces to be documented, Ngataiharuru Taepa's intricate plywood work Tane Pupuki (2014) needed four people to get it on to the gallery wall and off again.
Again, this task benefited from being able to use the largest gallery in the building, empty for a couple of weeks between exhibitions.
There are still many works remaining to be documented.
The reflections from glass in the frame of the glazed works presents a greater challenge to photographers; some will have to be temporarily de-glazed, while clever lighting and camera techniques will be enough to overcome others.
The Te Manawa sculpture collection tantalisingly offers the possibility of 360 degree photographic coverage.
Keep an eye out for these images in future Te Manawa projects.
Until then, collection artworks are always on display in the Art Gallery, where entry is free.