As our mains arrived, so did the opera singers.
A woman in a dramatic metallic blue dress and a young man in full suited glory. They encouraged us to refrain from talking while they sang, but to continue eating if we wished. Phew. And then they opened their lungs and began to sing. Tears sprang to my eyes involuntarily. I was transfixed and remained so each time they took to the floor. I loved it, I didn't want them to stop. My steak sat ignored until there was a break in the singing. I felt a window open, one through which you get a glimpse into the heart of another. Too dramatic? Perhaps. Back to the food.
My steak was cooked perfectly the old-fashioned way and sat on a pool of creamy, yellow polenta that reminded me just how marvellously full of flavour this grain can be when cooked well. Spinach and mushroom deepened the flavour of this dish further and there was the heady dose of truffle again.
Too much of a good thing. My dinner friend systematically polished off a pork belly, rolled around a pistachio stuffing and roasted to its crackling best. One taste and I could see why he was finding room for it - it was tremendous; the crackling had a golden snap to it and yet the meat was moist and falling apart.
We were well satiated and as the opera singers sang their final duet, we polished off a freshly baked chocolate fondant that ran with a hot liquid chocolate centre, along with our other choice, unfortunately a disappointing and disjointed effort - fig panna cotta barely set and not cool enough, mango sorbet, and a small cone filled with chocolate.
From the fresh peach prosecco cocktail at the start to the farewell by the dashing maitre d', dining at Toto is an enchanting experience, with or without the operatics, because it possesses a grandness that few other dining establishments achieve.
From the menu: Mozzarella invernale $19, duck prosciutto $16, beef ravioli $21, risotto seafood $21, filetto with polenta $39, pork $38, chocolate fondant $16, fig panna cotta $16
Drinks: Fully licensed