It is wonderful to have a place that you can just leave. Halfway through an illustration I can walk out - check the mail, make a sandwich or go for a stroll to grab a half-price cup of coffee on half-price pensioner day at the nearby mall, knowing it will all be there, untouched, when I get back.
And if a story is giving me a hard time I can leave that, too. After wrestling with a pesky tale for several hours, mowing the lawns can seem an exciting way to spend your time.
My studio is a very small room but it doesn't matter because I spend most of my time in my head. The walls dissolve, the windows melt and the carpet ripples until the whole world becomes "my happy place".
Trees - date palms, kauri, juniper and larch wave their arms above my head. Pythons, gibbons, parrots and butterflies twist and chirp and chatter among the branches. Mountain ranges zigzag along the horizon. Raging torrents, wandering streams and babbling brooks pass by my feet. And in a dappled glade stands a long table with a gingham cloth.
With no space to spare, dishes of macaroni cheese, cardamom chicken, almond tart, spaghetti and meatballs and beef Wellington sit steaming, waiting for me to get stuck in.
If the phone rings and I'm suddenly back in my little room again, I can turn to the right on my chair and look across Bowenvale and catch a rainbow as the last shower slips over the hills into Lyttelton.