You're taken straight to the cores of character and content: fussy T.S. Eliot; spectacularly conceited Christopher Hitchens; tedious Gordon Ramsay; Lionel Shriver's convolutions, Henning Mankell's horizontal rain. He gets Zadie Smith's staccato and Richard Dawkins' self-promotion pitch-perfect.
Pick any page.
P28: On Chesil Beach, by Ian McEwan. "Don't you think we're being rather melodramatic? ... Of course, but if we don't split up, the whole book's pointless."
P128: The Intimate Adventures Of A London Call-Girl, by Belle du Jour. "Since I've been overpaid to write a book, I'd better witter on."
P228: How To Be A Woman, by Caitlin Moran. "My CYSTITIS is killing me!!!"
If you've had enough of the awfully pleased Stephen Fry, the awfully florid Jeffrey Deaver, or the awfully awful E.L. White (Fifty Shades Of Grey), this collection will have you exclaiming with satisfaction.
Even authors before whom I bow are disembowelled. Cormac McCarthy's No Country For Old Men: "$2.4 million. This kinda changed everything"; Bill Bryson's Down Under: "Gee. Australia is a very, very big country."
Your life is too full to read 800 words? Fear not: Crace ends each annihilation with a one-phrase "Digested, read, digested". So, Tom Wolfe's Back To Blood: "Back to bollocks";
The Da Vinci Code: "Millions of readers can be wrong"; Thomas Harris' Hannibal Rising: "A la recherche de corps perdus".
What a terrific idea. What a terrifying man. And though Crace's sly synopses may save you the bother of reading some of this 100, they'll also provoke you to try many more.
The Digested 21st Century by John Crace (Constable & Robinson $36.99).