You're not in Paris now, so best focus on the clothes which, truth to tell, are just what you'd want to wear to keep the chilly night air at bay.
First up was a double-breasted man's coat carrying a series of Huffer crests, including a Heraldic look quadrant design with the label picked out letter by letter as H U F A. Various crests repeated throughout the show on anoraks and cardigans, including a trail of them down the back of a cream honeycomb-look knit.
Other reoccurring variations on a theme were the use of a blush-coloured leopard print in women's wear, most successfully when the pattern was enlarged and used on knitwear. The print was also used for the top half of a dress, with its skirt a flippy georgette.
A blue-on-black floral print also cropped up several times, including as a pinafore.
Men wore drill pants and mid-blue denim dressed the male bottom half, with plaid shirts peeping out from sweaters and even the odd suit jacket. Just one of Huffer's trademark three dot T-shirts was sighted, surely a sign Steve Dunstan and Dan Buckley are moving on.
Women's wear was equally easy, from little dresses with frilled hems to lacy knits and a denim playsuit.
Some frocks were cut with plenty of cloth, flaring out wide, reminding me of a maternity gown without the baby aboard.
The softer mood was best typified by a peachy belted dress with its skirt flaring out like a mini-length version of a 1950s classic shown on America's Next Top Model Krista White, who was there as part of a prize for Huffer's winning the Air New Zealand export award.