Towards the end of Kate Mosse's deliciously hokey new spinetingler, a young woman descends the damp, musty steps into a disused ice house clutching a flickering lantern and groping through her amnesiac mind for the collective nouns of birds: a parliament, clamour or storytelling of rooks, a tiding of magpies,
Books: Fowl play in the marshes
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Kate Mosse presents a smart and spirited heroine in Connie.
Within a few pages a body will be found floating beside that house and Connie will begin her attempts to mislead the police.
Connie is a smart and spirited heroine. Although it was not thought ladylike at the time, she has learned her father's art and practises it with a tender precision, relishing the ritual as the point of her scalpel pierces the breast of a cadaver and the flesh sighs "as if the bird was relieved the waiting was over".
The tiny, pungent details of avian taxidermy add texture to a pacy plot that includes elements of madness, torture, sexual predation, mysterious women, traumatic memory loss, partially burned documents in grates, rising tides, rising panic and a cheesy romance. But Mosse does a beautiful job of assembling the familiar gears of gothic, ensuring they fit together perfectly to wind up the tension.
Like the pale-eyed jackdaws watching over the salty Sussex mudflats, we see everything coming just before Connie does. They caw and wheel as we relish every ridiculous minute of Mosse's fowl play.
The Taxidermist's Daughter
by Kate Mosse
(Orion $37.99)