Throughout the subsequent, turbulent history of Albania, the events and significance of Gurameto's dinner are endlessly contested. It acquires a mythological dimension, as it resembles an Albanian folk tale, and it is always a political event.
Gurameto is a hero one minute, a craven collaborator the next: his stocks are sky-high under one regime, and he is imprisoned and tortured by the next.
As it has weathered all manner of changes down the course of history, Gjirokaster (his birthplace, and incidentally also that of Enver Hoxha) appeals to Kadare as an apt symbol for the spirit of the Albanian people through countless regime changes, the rise and fall of empires, the comings and goings of invaders.
Curiously, although the city "falls" neither in the novel nor in reality - it remains a World Heritage site - it has experienced many, many spiritual and moral falls in its time.
Kadare populates the city with remnants of former regimes: "In the city there were 11 former vezirs and pashas of the Ottoman Empire, four former overseers of the sultan's harem, three former deputy managers of the Italian-Albanian banks, 15 ex-prefects of various regimes, two professional stranglers of heirs apparent, a street called 'Lunatics Lane' and two high-class courtesans, not to mention the famous 300 former judges and more than 600 cases of insanity: a lot for a mediaeval city now striving to become a communist one."
The Fall Of The Stone City is playful, supremely sarcastic, mystifying, charming and bleak, by turns and all at once.
Kadare raises ambiguity to an art form, and perfectly evokes the uncertainties of life under arbitrary rule.
John McCrystal is a Wellington writer.