Norman details the careers of both men in an introductory chapter, placing their practices - Buller's in particular - in a historic context, as the country moved from exploitation and a so-what assumption in the 19th century that certain species were simply doomed; evolving towards an ethos of protection and, eventually, legislation that many still believe is not strong enough.
But for many species, the changes came too late: Listed in this rollcall as extinct - although many were already wiped out before Buller's time - are the laughing owl, bush wren, Chatham Island fernbird, North Island and South Island piopios, South Island kokako, New Zealand quail, Dieffenbach's rail, the huia, Chatham Island rail, New Zealand merganser and the Lyall's wren.
Will the kakapo follow? Well, if Sirocco's attempts at mating with a human head are anything to go by, possibly.
We will never know first-hand what those extinct birds looked or sounded like, but here they are within the pages of this beautiful boxed set, its gold-edged pages presented in the same size and order as the originals.
Norman's introduction concludes with an acknowledgement of contemporary artists like Don Binney, Shane Cotton and Bill Hammond, whose painting Camouflage is reproduced, "expressing abhorrence for the collecting mania of the late 19th century". Camouflage features a bright yellow kakapo, stuffed and mounted in a Victorian drawing room, and such an "ornament" is not based on Hammond's imagination. This book truly is a collector's item, this time a benign kind of collecting.
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