Nelson Freire was only 23 when he recorded his first album, an LP of Brahms, comprising the F minor sonata and two shorter pieces.
Now, at 72, the Brazilian pianist revisits the German composer, with the same sonata complemented by the more generous selection of other music that a 74-minute
CD permits.
For Freire, this returning is like a vision of a huge mountain, initially seen from far away but now, by coming closer to it, subtler details are revealed in its landscape.
Brahms was only 20 when he composed the F minor sonata, a work that combines the monumental and the fiery, written in the inevitable shadow of Beethoven. It springs to new life with the volatile Freire, who uncovers rare poetry in its shortest movement, a fleeting Intermezzo, a meeting ground of elegy and funeral march.
The disc's dozen short pieces stress the dreamy, introspective side of the composer, even if Freire storms magnificently in the Ballade from Opus 118 and the Rhapsody that closes Opus 119.
