Not only did we have a big voice tackling big repertoire, but Moore was happy to repeat Mozart's demanding and brilliant "Come scoglio" as an encore.
Runner-up, Benson Wilson brought lustrous phrasing to "Pierrot's Tanzlied" from Korngold's Die Tote Stadt.
Third-place getter, Christian Thurston, warmed up considerable over the evening; the emotionally charged orchestral introduction to Rodrigo's Act IV aria from Verdi's Don Carlo, built up expectations that the young baritone easily fulfilled.
It was an evening of memorable performances.
Oliver Sewell revealed an unforced lyrical tenor in a Schubert lied and some meltingly beautiful Donizetti bel canto
Baritone Edward Laurenson showed stalwart ambition with a Strauss lied and, as the Count in Mozart's Marriage of Figaro, one felt his frustration in not having more stage space to let his character rove and roam.
Bianca Andrew's saucy "Sexy Lady" had enough creative stage business to suggest the possibilities of a career in cabaret. Her meticulously observed "Non so piu" caught Cherubino in the full flush of adolescent volatility.
One hopes that Aucklanders will take advantage of the free masterclass in the town hall concert chamber tonight. Harries' combination of wit, charm and acumen will be put to entertaining use as she fine-tunes arias by Wilson, Andrew and three other young singers.