OPINION
Just how did Auckland Philharmonia’s Passion & Mystery concert live up to its title?
There was certainly passion aplenty in Giordano Bellincampi’s bracing Pathetique Symphony.
Tchaikovsky’s first movement was magnificently landscaped, from dark, low murmuring to the virtuosic firepower of its central development. With every reappearance of its “big theme”, each time in new colours, one could only submit to the surge.
It was the same with the balletic simplicity of the second movement’s waltz in five time, and the absolute storm brewed up in the scherzo, so shattering that applause covered the opening bars of the finale.