When I said that first line for Shortland Street back in 1992, I felt were all in this new soap together and we had the wonderful Caterina De Nave at the helm. She kept our spirits up in spite of some early reviews spelling out our certain doom. I think the weight of expectation was on every single one of us, not just me.
I knew that acting was my job for life, but not this particular soap. I was at Shortland Street for almost four years then left because I really wanted to explore other opportunities and do some stage work, etc. I certainly didn't envisage Shortland Street lasting for 25 years.
There are hundreds of lines that are touchstones for me in life. In Shakespeare and lines from Samuel Beckett plays and poetry spring to mind for different situations. I try not to spout lines too often, it's not a very popular thing to do these days, you end up sounding like a boring old know-all. But the one that comes to mind when I go out on stage is from Beckett's Not I, the first line: "Out into this world". Or another line by W.B. Yeats - "I have spread my dreams under your feet, tread softly because you tread on my dreams."
I hesitate to give advice to other cast members, that's up to the director usually. I often find I learn from the younger cast members. I would say keep your feet on the ground, don't be swamped by public praise or the reverse from that, by bad reviews. Acting is a job and don't expect glamour. Recently there was an article in the paper about a support group called Changing Minds, that is offering counselling for actors who are going through a difficult time. It is difficult, especially when you are starting out and you wonder if you are going to get another job after the first one. I thought that was an excellent idea, because actors do worry and to do tend to constantly question: "Am I good enough?"
When I started acting, compared with working now ... it's different rather than harder or easier. There was very little TV or film when I began so my experience was almost entirely made of stage work in the early days. Consequently there was an emphasis on voice work and the ability to communicate in a very large theatre such as the Mercury Theatre where I did a lot of work when I started. But TV and film all come from the same truthful core as stage acting, it's just the conveying of ideas, the technique, is different.
