No One Loves Me And Neither Do I
; and JPJ remains a bass-playing great who also throws other instrumental flourishes into the TCV's mix just like he did in Zeppelin. His
Superstition
-style keyboard on
Scumbag Blues
should sound wonky and wrong, but it's inspired, and he has to be responsible for the deranged orgy of exotic sounds on the sick and saucy Caligulove.
TCV's are at their best when songs like
Elephants
and
Bandoliers
warp effortlessly from a sluggish and dingy groove into something crisp and majestic. Another highlight is the debauched carnie discord of
Warsaw Or The First Breath You Take
, which touches on the desert psychosis rock of Queens as it sprawls out across seven minutes. Lyrically, Homme comes up with some of his best and most twisted lines from "catching tigers by the tail" on
Gunman
, with its cosmic gonzo metal groove, to being "plucked from the garden of wretched beliefs" in
Elephants
.
Elsewhere there's the wailing blues rock of
Mind Eraser, No Chaser
; woozy first single
New Fang
; and the dark desert boogie of
Dead End Friend
(yet another Homme road trip anthem).
It's a powerful, cocky, and gutsy record - and so it damn well should be considering these guys are legends in their own lifetimes.
Scott Kara
*
See
TimeOut
this weekend for an interview with John Paul Jones.