Jeremy Elwood convincingly portrays a life unravelling in a drug-fuelled spiral. Photo / Supplied
Sparks of humanity to be found in play's skilfully drawn takes on deeply flawed middle-aged former buddies.
Playwright Stephen Sinclair's latest work could be seen as a meditation on the extreme poles of his own career which has swung between spectacular international success and the hard grind of low-budget productions in studio theatres.
The story centres on a forced reunion of three middle-aged buddies who forged an
intense bond when, as aspiring comedians, they embarked on a chaotic tour of South Island small towns relying on the enthusiasm of youth to get them through the horror of playing to empty houses.
In the intervening years one of them became a superstar on the international comedy circuit while the other two eked out a bleak existence doing unpaid local gigs.
The set-up brings forth plenty of middle-aged angst along with some provocative and perceptive thoughts about success, failure, envy and the schadenfreude that comes from seeing the mighty brought low.
