He was inspired by toy theatres he saw in museums in Europe and puppet theatres in China. Originally toy theatres were models brought for play or display but in the 1800s, with changes in paper production and technology, they were printed and sold as kits to be assembled at home.
Kits included characters, scenery and sets, props and costumes from popular plays of the day and were sometimes used as a marketing tool.
Bain says the idea of a theatre as an object in itself appealed to him and he liked the idea of a smaller-scale structure that can be observed by others. He has created a number of outdoor performances which have toured New Zealand, Australia, Singapore, Canada and Europe.
The Floating Theatre is his biggest project and one of the most complicated in terms of getting a range of issues, such as health and safety, approved. It has involved working with engineers, welders and structural fabric designers as well as theatre-makers.
Two performers, Jeremy Randerson and Jenny McArthur, perform a show described as part mime, part surrealist comedy. Bain says being in a confined space means using a number of older theatrical devices - things like ropes, pulleys and trap doors - to make the best use of available room.
What: Auckland Fringe Festival - The Floating Theatre
Where & when: Saunders Reserve Avondale, March 1 - 4; Viaduct Marina, March 8 - 11