Musicians have to turn up. We can never ring in and say, "Bad period Brian, can't come to work." Never. The show must go on, dead or not.
I had flown to Auckland to perform at a gig I had done for 25 years on the first Friday of every December with Hello Sailor, Jordan Luck, Hammond Gamble, Shona Laing, Peter Urlich and my beautiful band The Band of Gold.
My mind was yelling at my body to work. It wouldn't. I couldn't swing my legs out of the bed and I couldn't lift my arms and was trying to haul air into my lungs but couldn't keep abreast with the need. How so very much we take for granted. The first gig in 37 years that I hadn't made.
The body is one thing but the mind a whole other room of banging doors – over-active but no way through – bang, bang, bang. I nearly went crazy.
I had always believed I had no regrets but it wasn't until I thought it was curtains that I saw clearly. I was angry that I had avoided shows and recordings because I lacked confidence and was so afraid of judgment.
I was really mad that I hadn't been to Egypt – something I had wanted to do all my life. So while still at 26 per cent-left ventricle function I booked a bloody ticket and a few months later climbed on that big bird like a Michelin woman in a sunfrock. I dragged my oedema-sodden cankles around the sand in 37 degrees and saw the wonders of the world I had always dreamed of. I survived.
My heart function has improved enough that I now wear day clothes and put lippy on and seek laughter and love as much as I can. I have started taking bookings for gigs again – probably not the three-hour rock marathons I used to do – but singing is healing as is the roar of the crowd.
Written as told to Paul Little.