So it's time for fans to rejoice: Heartworms, the fifth Shins record, one that's self-produced by Mercer with an entirely new band, recaptures that weird awkward magic that made Portman's character swoon.
It helps that Mercer's rediscovered his way with a world-weary metaphor. "Given all the drops in the ocean / Better take it one sip at a time," he croons on opener Name For You, The Shins' jauntiest summer love jam since Young Pilgrims.
Elsewhere, there's more electronic experimentation on offer on the Daft Punk quirk of Cherry Hearts and the woozy chamber pop of Fantasy Island, which is probably a result of Mercer's work with DJ Danger Mouse on Broken Bells but feels entirely fitting here.
At other times they fully rock out: Half A Million is an indie-punk jam that has Mercer uttering lines like, "I took the drugs but the drugs won't take," like he's a character in that great Trainspotting sequel, while Painting a Hole's fuzzy throb is an eccentric statement of intent.
It won't make you want to watch Garden State again. But Heartworms is good enough to make you feel warm fuzzy nostalgia feels for a time when Zach Braff movies were good and Mumford & Sons hadn't ruined folk with their stupid banjos.
That's quite the achievement. Take a bow, James Mercer, take a bow. Natalie Portman from 13 years ago applauds you.
The Shins - Heartworms
Label: Columbia
Stars: Four
Verdict: They might change your life - again