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Home / Entertainment

Sleeping Beauty on Ice: Wake up to a grown-up fairy tale

Herald on Sunday
20 Jun, 2015 10:30 PM4 mins to read

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Tony Mercer interweaves the skaters' sequences into the storyline of Sleeping Beauty. Photo / Supplied

Tony Mercer interweaves the skaters' sequences into the storyline of Sleeping Beauty. Photo / Supplied

An ice-skating extravaganza returns - and it has more drama and bigger stunts, choreographer Tony Mercer tells Stephen Jewell.

Tony Mercer has a special affinity with New Zealand. It was on Karekare Beach that Mercer's partner (fellow producer James Cundall) suggested he set up his own company.

The Manchester-born ice-dancing choreographer went on to form the Imperial Ice Stars in 2004, and has returned to the country on several occasions. After celebrating the first decade of operation last year, the Moscow-based troupe is heading to Auckland and Wellington with a revamped production of its first show, Sleeping Beauty on Ice.

"At the time, I was deeply unhappy as I was making shows for somebody else to their watching brief," Mercer recalls. "We were at Karekare and James said 'let's go for a chat'. We must have walked back and forth 20 times while he convinced me to set up my own company. He said 'you have to follow your dreams', so I did just that."

He describes it as initially "faithful to the balletic idea of Sleeping Beauty", but the version of Sleeping Beauty on Ice that will grace the stage of the Civic Theatre is radically different to the 2004 version.

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"Back then, I was playing it safe as I didn't want to load all of my new ideas into it straight away," he says. "But for the 10th anniversary, James suggested I should go back to it and put all of my ideas into it. So I looked at the storyboard and changed it with little details, to bring it into today as something you would recognise."

He says he has done "nothing drastic", but he was determined to approach the classic story from a subtler, more grown-up perspective.

"I didn't put in so much of the fairy-tale content, so Princess Aurora doesn't prick her finger on a spindle ... I brought in that she was poisoned, as you can understand that concept a little bit better."

Most significantly, the wicked fairy godmother, Carabosse, is now a man.

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"I decided that the characterisation of Carabosse could suit a male performer, which gives another kind of viewpoint on the story."

All members of the 18-strong cast are accomplished athletes who are at home on the ice - most have performed at Olympic or world championship level. Mercer says they are equally proficient at inhabiting their roles.

"Everyone goes through a training process when they come to me, which is important as they need to not only be good at skating but be able to bring their characters to life," he says.

Sleeping Beauty on Ice is staged on a dual-level set and is the Imperial Ice Stars' most technically complex effort.

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"You have to do something different each time ... So you're always looking for ways to make it more difficult, so we've created this scene where one female is passed among four levels, as she is passed from partner to partner to partner."

Despite the audacious stunts, Mercer has ensured that the narrative is smoothly integrated with the physical action.

"Figure skating is predominantly a sport, so everybody is used to seeing jumps and spins as a standalone thing," he says. "But what I've tried to do is interweave those leaps into the actual story. Musically, they make sense but they also have to make sense in regard to what's happening in the story."

Working closely with composer Tim Duncan, Mercer has also played around with Tchaikovsky's original Sleeping Beauty ballet score. "Where possible, we've made some changes to suit ourselves, such as with the Carabosse piece of music, which is so short that's it's almost like a musical stab," he says.

Sleeping Beauty on Ice will be performed at Auckland's Civic Theatre June 24-28. Book at ticketmaster.co.nz. Its Wellington season is July 1-5 at the St James Theatre. Book at ticketek.co.nz

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