Sam Shepard: US actor and playwright dies aged 73 ...
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US actor and playwright Sam Shepard dies aged 73
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Sam Shepard: US actor and playwright dies aged 73 ...
Playwright, actor and director Sam Shepard has died at the age of 73.
The prolific talent penned 44 plays across the course of his life, including the Pulitzer Prize-winning 1978 Buried Child, a harrowing tale of incest, murder and inter-generational family strife that explored a wider sense of disillusionment withthe American dream, and the collapse of conventional values.
Family spokesman Chris Boneau said Shepard died at his home in Kentucky from complications related to Lou Gehrig's disease, or amyotrophic lateral sclerosis. He was surrounded by his family, including his children.
The taciturn Shepard, who grew up on a California ranch, was a man of few words who nevertheless produced 44 plays and numerous books, memoirs and short stories. He was one of the most influential playwrights of his generation: a plain-spoken poet of the modern frontier, lyrical and rugged.
In his 1971 one-act Cowboy Mouth, which he wrote with his then girlfriend, musician and poet Patti Smith, one character says, "People want a street angel. They want a saint but with a cowboy mouth" - a role the tall and handsome Shepard fulfilled for many.
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"I was writing basically for actors," Shepard told the Associated Press in a 2011 interview. "And actors immediately seemed to have a handle on it, on the rhythm of it, the sound of it, the characters. I started to understand there was this possibility of conversation between actors and that's how it all started."
Shepard's Western drawl and laconic presence made him a reluctant movie star, too. He appeared in dozens of films - many of them Westerns - including Terrence Malick's Days of Heaven, Steel Magnolias, The Assassination of Jesse James by the Coward Robert Ford and 2012's Mud. He was nominated for an Oscar for his performance as pilot Chuck Yeager in 1983's The Right Stuff. Among his most recent roles was the Florida Keys patriarch of the Netflix series Bloodline.
Sam Shepard from the original series Netflix Bloodline. Photo / AP
But Shepard was best remembered for his influential plays and his prominent role in the off-Broadway movement. His 1978 play Buried Child won the Pulitzer for drama. True West and Fool for Love - were nominated for Pulitzers as well, and are frequently revived.
"I always felt like playwriting was the thread through all of it," Shepard said in 2011. "Theatre, when you think about it, contains everything. It can contain film. Film can't contain theatre. Music. Dance. Painting. Acting. It's the whole deal. And it's the most ancient. It goes back to the druids. It was way pre-Christ. It's the form that I feel most at home in, because of that, because of its ability to usurp everything."
Samuel Shepard Rogers VII was born in Fort Sheridan, Illinois, in 1943. He grew up on an avocado ranch in Duarte, California. His father was an alcoholic schoolteacher and former Army pilot. Shepard would later write frequently of the damage done by drunks. He had his own struggles, too, and was arrested in 2015 for drunk driving.
Shepard arrived in New York in 1963 with no connections, little money and vague aspirations to act, write or make music. "I just dropped in out of nowhere," he told the New Yorker in 2010. But Shepard quickly became part of the off-off-Broadway movement at downtown hangouts like Caffe Cino and La MaMa. "As far as I'm concerned, Broadway just does not exist," Shepard told Playboy in 1970 - though many of his later plays would end up there.
His early plays - fiery, surreal verbal assaults - pushed American theatre in an energised, frenzied direction that matched the fractured 1960s. A drummer, Shepard found his own rock 'n' roll rhythm. Seeking spontaneity, he initially refused to rewrite his plays, a strategy he later dismissed as "just plain stupid".
As Shepard grew as a playwright, he returned again and again to meditations on violence. His collection Seven Plays, which includes many of his best plays, including Buried Child and The Tooth of Crime, was dedicated to his father.
— Sérgio F. de Souza Filho (@sergio_fsf) July 31, 2017
Sam Shepard - a brilliant actor who could say so much without uttering one word. He was even amazing with words and wrote Paris, Texas. RIP pic.twitter.com/IjKNE78ber
"There's some hidden, deeply rooted thing in the Anglo male American that has to do with inferiority, that has to do with not being a man, and always, continually having to act out some idea of manhood that invariably is violent," he told the New York Times in 1984. "This sense of failure runs very deep - maybe it has to do with the frontier being systematically taken away, with the guilt of having gotten this country by wiping out a native race of people, with the whole Protestant work ethic. I can't put my finger on it, but it's the source of a lot of intrigue for me."
Besides his plays, Shepard wrote short stories and a full-length work of fiction, The One Inside, which came out this year. The One Inside is a highly personal narrative about a man looking back on his life and taking in what has been lost, including control over his own body as the symptoms of ALS advance.
"Something in the body refuses to get up. Something in the lower back. He stares at the walls," Shepard writes. "The appendages don't seem connected to the motor - whatever that is - driving this thing. They won't take direction - won't be dictated to - the arms, legs, feet, hands. Nothing moves. Nothing even wants to."
Shepard's longtime editor at Alfred A. Knopf, LuAnn Walther, said Shepard's language was "quite poetic, and very intimate, but also very direct and plain spoken". She said that when people asked her what Shepard was really like, she would respond, "Just read the fiction".
Friends and admirers have been quick to pay tribute to Shepard and his work.
