That picks up the pace of the show, and The New York Times says that's why this season works so well after a couple of wayward instalments.
"More than ever, Orange is like a speeding vehicle with a wheel missing: It doesn't always steer steadily, you can feel the chassis shimmying and straining, but the velocity is urgent," wrote critic James Poniewozik.
The Hollywood Reporter's Dan Fienberg agreed, saying "the heightened stakes of the season help deliver some of the show's best performances yet and beats of staggering emotion".
Indiewire warned fans that things at time got ugly during the siege.
"This season was almost told in real time," said reviewer Liz Shannon Miller. "It's a choice that does elevate this season and give it new focus and directive ... in later episodes the series delves far more into horror tropes than you might expect, in legitimately horrifying ways.
Not everyone rated it so highly, with TV Guide magazine calling the season "squirm-inducing" and the Boston Globe calling some plot points "dull" and "irritating".
New Zealand viewers can make up their mind when season five debuts later today.