In Act 3, some of the evening's finest singing has the two first couples weave their thoughts in an ensemble that might have been penned by Puccini were he working in San Francisco 30 years ago.
Simon O'Neill wields vocal authority as Mao Zedong although his first appearance, verbally jousting with the Americans, like much of the production, sorely needs surtitles. Barry Ryan's Nixon is the glowing exception.
The Australian owns the role, both physically and vocally, nailing our attention and sympathy from the opening flourish of his News aria.
A fully staged Nixon in China is unviable in cash-strapped times but director Sara Brodie delivers ingenuity within restrictions. A screen above stage offers images and film; some to the point, some more elusive.
Certainly Matt Gillanders' elegant dance video for Act 2's "opera-within-an-opera" might seem mysterious to those unfamiliar with the opera, especially with no straightforward synopsis provided in the programme.
However, with a second and final Saturday performance, this slice of our own operatic history should not be missed.
Auckland Arts Festival review
Reviewer: William Dart
What: Nixon in China
Where & when: Auckland Town Hall, until Saturday, 20th March
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