Soviet Kitsch
and
Begin to Hope
on high rotate, the love affair continues on
Far
.
Spektor's ability to make melancholy joyful, and happiness bittersweet, is unparalleled. As is her propensity to talk complete nonsense and make obscure noises. On
Folding Chair
, a simple nursery rhyme melody turns into a bizarre maritime tribute as Spektor does her best dolphin impression.
Yes, the woman is mad. Bat-shit crazy. But thoroughly irresistible.
As she weaves classical piano compositions and deep, trembling basslines with contemporary pop tunes and her trademark vocal flips, Spektor shows a depth of talent and musical appreciation that outshines any of her contemporaries.
From the cheeky bounce of
The Calculation
to the epic swell and explosion of
Two Birds
and on to the haunting coo of
Genius Next Door
,
Far
is classic Spektor. An utter delight.
Joanna Hunkin