The Whistleblower is driven by a compelling performance by Rachel Weisz. Photo / Supplied
Director Larysa Kondracki takes on the harrowing subject matter of human trafficking and sex slaves in her debut feature film The Whistleblower. Inspired by true events, this hard-hitting thriller is played out in a relatively conventional manner, but driven by a compelling performance from Rachel Weisz.
In 1995, Kathryn Bolkovac
(Weisz), a cop from Nebraska, took on a peacekeeping job in United Nations-regulated Bosnia, employed by a private corporate army to train Bosnian police.
After some success with her trainees she is given the job of Head of Gender Affairs, based at the UN, where she's exposed to a thriving sex-trafficking industry.
Kondracki follows the plight of two teenage girls trafficked from the Ukraine and is unforgiving in her presentation of the brutality and indecencies these sex slaves endure. It's clear she wants to shock us, which is most strikingly achieved with the revelation that Bolkovac's colleagues assist in the trafficking of slaves and patronise the brothels where the girls are held. Bolkovac is stymied and threatened every which way she turns as she desperately works to help these girls and expose those involved.
What's most fascinating is the political perspective, and the actions of those involved in organisations, who elected to cover things up rather than protect the citizens of Bosnia. Kondracki's tone is one of condemnation, an easy stance to take but one which emphasises the horrific tales of sex slaves rather than the wider politics. As a result The Whistleblower tends to melodrama rather than thriller. It's not helped by introducing too many characters, which means it's hard to keep up with who's who and standout characters, like those played by Vanessa Redgrave and David Strathairn, don't receive the attention their roles deserve.
