Actually, they all seen to be having fun, with Branagh wavering at times but generally keeping the tone just the right side of corny; opting for funny, warm and heartfelt when it could have easily been soap opera silly.
Although still taking its origins from the 1950s animation with its period setting and determination to be an enchanting fairy tale, Branagh has created a 21st century version - mercifully, the singing has gone, and birds are few and far between, and the mice and animal chit-chat is minimal.
Watch: Trailer: Disney's Cinderella
More importantly, he's given Cinderella an awareness of her situation; she needs a dress and ride to the ball, but she in no way needs rescuing. Her connection to the prince is genuine, in stark contrast to her vapid stepsisters, who represent the modern-day obsession with all things celebrity.
There are some truly magical scenes, the dress Cinderella wears when she descends into the ballroom to dance with the prince will replace Elsa's frocks as the costume of choice for young girls, and Helena Bonham Carter provides much hilarity as the "off-her-game" fairy godmother, including destroying a glasshouse when attempting to turn a pumpkin into a carriage.
A highlight is Rob Brydon in a cameo role that's just plain odd; you wonder if Branagh bumped into him at Pinewood Studios and just asked him to improvise a scene. Cast as a court painter hired to paint the prince, he completely steals this show with his deadpan humour.
For all this though, the pacing of the film does waver at times, but those lamenting the lack of old-fashioned family films should savour this lovely retelling - it doesn't get much more wholesome.
- TimeOut