Tomorrow is the final of MasterChef. There will no doubt be tears and fear and stress and inspirational messages about winning, and even some cooking. I managed to avoid watching a single episode until the semifinal, which I thought I'd better watch because I have developed an interest in the
Michele Hewitson: Foodie fare addiction is too much to swallow
Subscribe to listen
Marco Pierre White looks moody - or is that just the lighting. Photo / Supplied
Marco Pierre White, one of the judges on the Australian show, is introduced as the man who made Gordon Ramsay cry. About 100 years ago and, wow, what an achievement! He is also introduced as "the Godfather of modern cooking". He certainly looks ... moody. That may just be the lighting.
On our MasterChef semifinal, the last three had to cook a French cafe degustation menu for two of the judges and 10 of the country's top chefs. They were described as "New Zealand's cheffing mafia".
They were all men. When I earned my crust burning crusts for other people (about 100 years ago), the mostly male cooks were terribly macho and were always having chopping contests and throwing tantrums and knives at walls. But they were mostly drunk (I worked in joints rather lower than French cafes), so at least they had an excuse of sorts.
How did cooking get so po-faced? At the dinners on MasterChef nobody speaks. They sit there, tasting their food with the sort of concentration you imagine those poor sods who were tasters of dinners for kings and popes in case of poison felt before they had to turn up with their tasting spoons.
Food is a competition, "an almighty challenge". It's tears and stress and having the winning attitude.
No it's not. It's just cooking, which is a lovely thing to do for people - or used to be - and making food to share over a table and conversation. Now it is addictive telly but I don't know who is hooked, or why.