Seabeast
of a record, powerful and weighty as Moby Dick himself.
Last
album
Blood Mountain
was a crossover success, with the band's trademark scything and epic riffs gaining them a wider audience. But rather than being a relentless onslaught,
Crack The Skye
- a concept album about astral travel and out-of-body experiences - is more subtle and expansive. Not that it takes long to explode, with
Oblivion
starting off dour and dissonant before launching into jagged and flailing riffs.
Crack the Skye
is a finely crafted, bold musical masterpiece, from the plucks of demented banjo on
Divinations
, to the aching and squealing classic rock guitar solos, and into the prog P-funk of
Escape
, the second stanza of 10-minute centrepiece,
The Czar
.
In the 13-minute finale,
The Last Baron
, the progressive tendencies of the band are taken to the extreme as the song twists and turns more times than most bands do on a single album - if not during their entire careers. This is the album of the year, right here.
Scott Kara
Note:
Mastodon interview video below contains harsh language.