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Home / Entertainment

Masterful tale of a river boat town

By Linda Herrick
NZ Herald·
28 Mar, 2008 04:00 PM6 mins to read

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Jenny Pattrick was so intrigued by Wanganui's grand old house, Pipiriki (below left), during a canoe trip, that her imagination was fuelled for a new novel. Photo / Mark Mitchell

Jenny Pattrick was so intrigued by Wanganui's grand old house, Pipiriki (below left), during a canoe trip, that her imagination was fuelled for a new novel. Photo / Mark Mitchell

Just over 100 years ago, a beautiful hotel 90km up the Whanganui River was hailed as luxury accommodation, offering "every modern convenience" including "up-to-date sanitary arrangements".

According to early advertisements, Pipiriki House, owned by Wanganui businessman Alexander Hatrick, could care for 100 people and offer fine dining to 120 guests. After dinner, they could promenade elegantly along the 40m-long upper balcony, gazing at the stunning views of the river and forest as steamboats loaded with goods and tourists plied their way up and down the area promoted in posters as "the Rhine of Maoriland".

The river was a busy highway for commerce, with fleets of paddle boats and steamers carrying supplies upriver as far as Taumarunui, and taking logs, sheep and cattle back down to Wanganui. Given that boats had to navigate their way through 200 often-shallow rapids, the bustle on the river couldn't be sustained after the Main Trunk Line opened in 1909. Wanganui River Services Ltd, which bought Hatrick's enterprise in 1928, folded in 1964. Since those successful days at the start of the 1900s, the river's story has faded away. Not for much longer. Pipiriki House and the Whanganui River are about to receive the Jenny Pattrick treatment.

If Landings, her new book about that period of the river's history, works as well as her Denniston Rose trilogy, the good people of Wanganui had better get ready for a visitor boom. Pipiriki House, which burnt down in 1909, only to be rebuilt then burnt again in 1959, lives on in all its glory in the new book. The Pattrick spin-off is a proven phenomenon. The trilogy, which has sold nearly 90,000 copies, has caused the most unlikely transformation of the desolate coal-mining ruins in Buller into a popular tourist destination. Landings could do the same for Wanganui.

It's a meticulously researched yarn, centred around the grand house and the surrounding region, mingling local iwi with new settlers trying to create farms out of inhospitable land. The novel features clashes between Hatrick's fleet going upstream and loggers trying to float their massive and dangerous cargo downstream.

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There are collisions between classes and cultures, including extreme racism towards Chinese people. At the centre is Bridie, a spoiled teenager from an upper-class family who is felled mentally after an accident on the river. Bridie, formerly known as Bridget McPhee, is sent to live with the Sisters at Jerusalem who, a few months later, are shocked to discover she is pregnant. Who is the father? When did it happen?

Pattrick, who lives in Wellington in a house perched above the Botanical Gardens, says she first became interested in the upper reaches of the Whanganui River when she canoed along it 15 years ago. "We had a party of five canoes and 10 people with only one of us who had ever been in a canoe before," she says. "It was terrifying. We didn't have a guide, the river is very strong and I didn't realise there were more than 100 rapids to negotiate. The man who hired us the canoes taught us how to paddle them in this easy pool in Taumarunui.

We were all shouting at our partners, getting everything wrong and going around backwards. Then we were off and five days later, we came out the other end at Pipiriki." She describes the river as "wonderfully quiet, very still, until you got to the helter-skelter bits" of the rapids. Her husband Laughton fell in at one point and cracked a rib but they continued on to Pipiriki.

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There, she was fascinated to see remains of the grand old house, which Ngati Kurawhatia in association with government adviser agency Te Puni Kokiri tried to rebuild in the early 90s before running out of funds in 1994. It remains a boarded-up shell begging for restoration. After the river trip, one of her fellow canoeists gave the Pattricks a copy of Arthur Bates' 1985 book, A Pictorial History of the Wanganui River. "Looking through that, I was totally amazed to see how those river steamers could have got up those rapids, that the river could have been such a busy thoroughfare.

I think that was what really excited my imagination - a bit like Denniston. You go there now and there's nothing and then you see the old pictures of what a thriving community it was." Pattrick started researching for the book two years ago, reading newspapers, archives and history books. "I'd been reading about it for some time for my own interest then about four years ago I started thinking this could be my next book.

Then Random House suggested I might look at an illustrated version of Denniston Rose and Heart of Coal [the third book in the trilogy is Catching the Current]. That took a year out of writing this which was quite good because when I came back to it, I took out a whole lot of what I'd been thinking about - I think for the better." Her mastery of detail, such as describing the skills needed for the boats to negotiate the rapids, is impressive, making for an even more enthralling tale because readers feel they are receiving an authentic snapshot.

Pattrick credits her fondness for minutiae to her past career as a jeweller. "I love how things work, making small things and I am quite technically minded. When I am fascinated by them, I want to write about them." At the age of 71, the energetic Pattrick still cannot quite believe her luck - that since Denniston Rose's publication in 2003, she has become one of New Zealand's most popular contemporary writers. "I thought before that I was going gently into the night. I was very lucky that I wrote Denniston Rose at the right time. Before that, there weren't many New Zealand historical novels and Random House wasn't publishing any at all.

They took a punt with it and it took off like a streak." It hasn't all been plain sailing. "I was writing for about eight years before anything got published. It was very hard, I nearly gave up. To rewrite a book then have it turned down, you have to have the hide of an elephant. It would probably have been easier for someone of my age to give up. There were a few tears." There won't be tears, except maybe of laughter, at the launch of Landings this Thursday evening at Marsden Books in Karori. The Pattricks, who have long written musical shows for children, have put together a special song for the occasion.

"My husband has written a river boat song and all our family are singing it - our three children and four grandchildren." That includes her 14-year-old grand-daughter Georgia, who dressed up as blank-minded Bridie for the photo on the book's cover. "It's a bit of a laugh now in our family because she has now read the book," says Pattrick. "She says, 'Oh, couldn't you have made me nicer?' We just laugh and ask her to put on her blank face."

* Landings (Random House, $27.99, is in bookshops from Friday)

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