The simple four repeating piano chords which open the track, with subtle bass and percussion slowly added, leave all the focus squarely on her voice, throbbing with emotion, even when orchestral bells, breathy backing vocals, and ever-so-slightly 80s ambient synths are added to the mixture in the three, 50-second choruses.
Sure, it's a pretty conventional ballad, but it's less restless than her previous work, more accepting, grounded in the authenticity of her performance.
There's a nice knowing glance every now and then too - an acknowledgment of the ballads that came before, like the lyrical nod to California Dreamin' by The Mamas & the Papas, and the line "It's so typical of me to talk about myself, sorry" as a sort of sly dig at the many songs of heartbreak out there already.
There's no doubt this is a blockbuster track though, one that somehow manages to outdo Adele's previous successes, both artistically and commercially.
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