Insolent River: A Tango, choreographed by Michael Parmenter. Photo / John McDermott.
Dance work first performed in 1985 has not lost its ability to engage.
From start to finish, 90 minutes later, performers Josie Archer and Aloalii Tapu utterly held audience attention as they danced their way through Michael Parmenter's Insolent River: a tango which opened Tempo Dance Festival 2016.
Their sensitive, responsive partnering and total immersion in the world of the River, despite the
close presence of the audience on all sides, made for absorbing viewing. Their remarkable dancing is largely improvised, following an episodic structure laid down in the 1985 original version of Parmenter's work.
The opening and closing sections are completely non-referential, accompanied by a mysteriously cyclic, abstract sound score by David Downes. The almost naked dancers slowly emerge from packed soil riverbanks to sprawl and surge across the glowing blue river floor and eventually remain upright to become human.
Subsequently, their relationship becomes domestic and, as they explore some of the more mundane realities of living together, they experience a wide array of emotions. As they explore their desires, delights and fears, there are intense battles and full out social dancing as a means of release. Finally they return to the river, inchoate beings once again.
