So, says the old man from his armchair. A country, a once-proud nation now going into cultural decline, what happens to its writers and poets? What of the land whose inhabitants worship celebrities and can get a video zoom-in of how these celebrities live, enjoy vicariously the bubble-jacuzzi - no-one calls it a spa any more - count the number of bedrooms - oh, and don't forget the bathroom count? Enjoy the swimming pool, have a virtual ride on a private jet? Why the hell would they be interested in what writers and poets have to say?
Because, duh, our wordsmiths give a society meaning. Are you kidding? How many square metres does meaning have? How many millions does it cost? Nothing? Seriously? You said nothing? Then it ain't worth jack. Is it to do with being famous? Not necessarily and not usually. Just serious. In a world that does not do serious. Not like in a poem.
I have beside me 941 pages of Pablo Neruda's poetry. I am a quarter way through a second read and no doubt will start all over again in a few months' time. Neruda's words speak to me like nothing I have ever known. Not music - despite an obsession with it - not literature, even though I read at least thrice my favourite novelists like Doctorow, Winton, Leonard, Crace, etc. No, only Neruda's words give my imagination flight and my heart an understanding of itself, its depths, shadows, places of blinding light where inevitably enlightenment dwells.
I could quote him in every column, every novel I ever wrote and wish, on reflection, I had. But I have stopped mentioning his name because the number of zings on the scorecard reads exactly 1. It was much the same when I'd mention Gerard Manly Hopkins' name years ago before I was a published author. Who's he play for? Never heard of him, mate. Is he on TV? In a movie? None of that - mate. He was 19th century English poet whose "terrible sonnets" awakened something profound in this person at 21 years old. I'd never heard of him either. My older brother gave me a book of his works.
On our living room bookshelf a 40-year-old edition of Hopkins sits quietly among other literary giants. My wife and I are glad and appreciative to have him and Neruda, along with Shakespeare and Bryson, etc, etc. We love books and I have a particular love of poets. I love the rhythm and the insights. The beautiful construction, the original architectureof words. I love the whole concept of a thinking culture. Much as I love rugby and boxing.
On my deathbed I want to rage against cultural darkness. I want to urge non-readers to get a real life and embrace the written word. I've already selected the songs for my funeral, along with poetry and literature I'd like read out. I do not want these to reflect me so much as something far greater. Reflection not on self, but on our marvellous ability to contemplate, ponder and be amazed. But how many will be listening?