"From the start, the audience is part of the show and - thanks to the non-threatening joie de vivre and warm inclusivity - it works," McAllister wrote.
Carlsen says it's the kind of theatre he likes to make because it's bold, different and changes nightly depending on the willingness of an audience to join the high-jinx.
"It keeps the audience on the edge of their seats - and no one has to join if they don't want to - and us actors on our toes and that's how theatre should be."
Directed by Gene Leo Peters, Don Juan developed out of a desire to have fun with theatre. Peters, who directed Carlsen in early performances of One Day Moko, says the aim was to play with theatrical rules and conventions and to make it more like a party than a show.
The party continues, minus Carlsen, when Don Juan travels back to Wellington this month. After its Auckland season and performances at the Nelson Arts Festival, it returns to the capital where it will be performed in inner-city bars.
It could well be seen as an example of crowd-demanded theatre because those who want to see it have to book online (www.suchcrowd.co.nz/slightlyisolateddog) and performances are only confirmed when enough people purchase a ticket.
What: Don Juan
Where & when: Q Theatre, until Saturday; various Wellington CBD bars November, 16 - December, 4