Christian Bale in The Dark Knight Rises. Photo / Supplied
Movie blogger Dominic Corry takes in Christopher Nolan's epic final Batman film, The Dark Knight Rises.
1. It's a grand, impressive movie that left me buzzing, but I enjoyed The Dark Knight more. The way Heath Ledger's Joker embodied the themes of order versus anarchy in the earlier film lent all the spectacle a thematic resonance that is perhaps a touch lacking in Rises. But The
Dark Knight was lightning in a bottle, an unrepeatable feat of populist filmmaking that no successor could ever live up to. Christopher Nolan and company have acquitted themselves as well as everyone could've hoped, upping the scale and adding in plenty of dynamic new characters. If The Dark Knight was "Serpico-with-superheroes," the new film is "Giant-Sized-Die-Hard-with-superheroes".
2. The supporting cast does an amazing job. I was one of many who were sceptical when the demure Anne Hathaway was cast as the feisty Catwoman (a name I don't think is ever actually spoken in the film), but she really steps up and makes a great on-screen foil for Batman, both visually and acting-wise. I was wrong to ever doubt Nolan on this front. Joseph Gordon-Levitt is also great in his surprisingly prominent role. He served a similar purpose in Inception, and surely deserves to be rewarded with his own lead in a Nolan film now.
3. I really wanted to believe the rumour that there would be some sort of Superman reference in the film, but I should've known better. I guess my fanboy fervour got the better of me. Marvel Studios' universe-building measures in Iron Man, Captain America and The Avengers were so well-received by the viewing public, I was sure DC/Warner Bros would take notice and try something similar here, especially considering Christopher Nolan is an executive producer on the next year's Man of Steel. There are some surprises in The Dark Knight Rises, but nothing along these lines. Stink.
4. When a film has this much tangible goodwill in the lead-up, it's tough to feel much of a personal connection to it. To me, films will always be escapist entertainment first and foremost - on some level this requires a sense (even just a metaphorical sense) that you are the only person responding to it in that way. The global anticipation for The Dark Knight Rises, which built on the incredibly positive reaction to its instantly iconic predecessor, made it EVERYBODY'S movie. And then some. This isn't a bad thing - the film deserves the attention, but I think it resulted in me kinda keeping it at arm's length. Unlike that little undiscovered indie gem Prometheus, which barely got noticed outside arthouse cinemas.
