Ginastera's 1958 score received an exhaustive workout. Fast movements, ending with a possessed Furioso, encompassed the muted mysteriousness of a Presto magico. An expressive Adagio angoscioso evoked lonely pampas plains.
The evening would end with a sonorous rendition of Sibelius's Voces intimae quartet.
The Finnish composer's symphonies have very much defined his style, and one felt a symphonic striving in the Enso's opening movement, with those telltale rhythms we associate with the later Lilburn; yet there was immense tenderness in the searching Adagio di molto.
Alex Taylor's newly-commissioned a coincidence of surfaces intrigued. Tonight we heard one of two pieces written to be played simultaneously. Marked "sospeso, luminous, floating", it came across as a backdrop for its more fiery partner.
Yet, even so, one was drawn into its tautly controlled textures, from initial clustering dissonances to later imperturbable scales.
Those curious to hear the two pieces played together should catch RNZ Concert's broadcast of Enso's Wellington concert on June 24.
An encore was short and sweet as promised - a lilting Bagels on the Malecon by Lev Zhurbin, delivering Enso honey with a Cuban beat.
What: Enso String Quartet
Where and when: Auckland Town Hall, Friday