Witi Ihimaera. Photo / Andi Crown
Nestled mid-week in the frenetic seven days of the Auckland Writers Festival, Man, Sitting in a Garden was a monumental achievement.
Witi Ihimaera's intricately etched portrait of a man seeking emotional and spiritual refuge in the changing seasons of his garden was illuminated, with dash and in detail, by composer
Kenneth Young.
At just under an hour, it was a massive challenge for Auckland Philharmonia Orchestra and soloist Jared Holt. A challenge magnificently met by both, even if some dramatic impact was sacrificed through the tenor's understandable dependence on a printed score. And too often our eyes were drawn upwards for surtitle assistance to appreciate clever turns of script.
It was a test too for conductor Tecwyn Evans, skilfully guiding his musicians through a vast panorama of scenes and styles, from peaceful pastoral and boisterous bluster to clustering dissonance and Straussian opulence. All of which, thanks to Young's composerly acumen, grew from and complemented the libretto.
Ihimaera's writing is beautifully poeticised but, in essence, he catches here an emotionally cauterised Kiwi bloke, propping up his life with a dependence on the scientific. It takes the shocking deaths of his family to get him examining the bigger issues of humanity, sublimating his grief in his garden.
