Harth-Bedoya, conducting from memory, coaxed some terrific playing for a distinctly sub-par score.
Opening the evening, Kenneth Young's Dance seemed a curious case for revival. The composer has written meatier fare than this lavishly orchestrated 15-year-old piece, morphing from wafting waltz to what sounded like a preview of the Bernstein to come.
Nicola Benedetti more than lived up to expectations. If one felt the weight of every second of Francesca da Rimini's 25 minutes, then the 36 minutes of Tchaikovsky's Violin Concerto passed like a dream.
Benedetti exudes a remarkable energy and forthrightness. The construction of the Concerto's lengthy first movement is patchy in places, but it seemed less so tonight. Benedetti treated every entry with the same enthusiasm and freshness; her total engagement with the musicians around her was palpable.
Her ample, effortlessly projected tone would suggest that her 1717 Gariel Stradivarius is well worth its millions. The Scottish violinist won us over with a Canzonetta of compelling warmth and intensity, supported by a conductor and orchestra sensitive to the subtlest of shadings.
Classical music
What: New Zealand Symphony Orchestra
Where: Auckland Town Hall
When: Friday